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Lindsay Clancy’s trial ended the way hard cases sometimes end. Not with a clean verdict. With a mistrial. Eleven jurors ready to find her not criminally responsible for killing her three children in Duxbury in January 2023. One juror who would not go along. Judge William Sullivan declared it after roughly forty hours of deliberation across seven days. The defense tried to peel that one man off the panel. The Supreme Judicial Court told them no. Then the cameras turned.
Not on the law. On him.
By Friday, NBC10 Boston had an “investigation” into the lone holdout. Court documents. Family interviews. A pending eviction. More than twelve thousand dollars in unpaid rent. An active restraining order from a teenage nephew. A 2021 domestic-violence charge out of Brockton. The package had everything a national audience has been trained to hear as character: throat, dresser, “You’re evil,” narcissist, arrogant, phone-scrolling in the jury room. The identity stays sealed because the jury list is impounded. The character does not. That is the product.
Look at what the story does and what it soft-pedals.
The 2021 charge was dismissed. That sentence is in the NBC10 piece. It is not the sentence in the headline. The headline is “history of domestic violence allegations.” Allegations are easy. Dismissals are footnotes. The ex-wife, per the station, did not want to testify because she worried about custody. The restraining order from the nephew is real court paper and it was active while he sat through weeks of evidence. That is a fair question for how Massachusetts screens jurors. The questionnaire asks about arrests, charges, court orders. If those boxes were not checked honestly, that is a problem for the court, not a license for a television station to finish the job the defense could not finish in front of a judge.
Here’s what this really means. The holdout’s past is being treated as the explanation for the mistrial. As if unpaid rent decides reasonable doubt. As if a dismissed charge from 2021 is a secret decoder ring for why he would not find Lindsay Clancy not guilty by reason of insanity after three children — Cora, five; Dawson, three; Callan, eight months — were strangled with an exercise band. Fellow jurors went on air and called him arrogant. One said he mimed the killings on a water bottle. The foreperson said he admitted reasonable doubt and then still would not check the box for the insanity acquittal. Kevin Reddington, Clancy’s lawyer, talked about one man who “stole” seven weeks from beautiful, attentive jurors. The preferred narrative needed a villain with a face. They could not print his name. So they printed his file.
Ron DeSantis called it a smear and offered the man asylum in Florida if he is being harassed. You do not have to buy the asylum bit to hear the diagnosis. A man objected to letting a mother walk on a mental-disease finding for the deaths of three kids, and within days the legacy press was in his landlord’s paperwork. That is not watchdog journalism. That is narrative enforcement.
I know that movie. I do not need the starring role in this one. But I know the lighting.
Years ago the same craft came for me — accusation first, documents later, years I will not get back, a press that knew how to spell my name before it knew how to read a lease. The full account is in my upcoming book, Those Who Trespass Against Us. You can find it at ReeseOnTheRadio.com. I am not reopening that file here. I am telling you I recognize the move when I see it.
So when I watch a newsroom dig a holdout juror’s dismissed charge out of a district-court drawer and lead with it as if the dismissal were a typo, I am not confused about the craft. I am recognizing it. The craft is selection. What you put in the first three paragraphs. What you leave for paragraph twelve. What you call “context” when you are really shopping for a motive that fits the audience you already built during the livestream.
The Clancy holdout has not given his public account. His name is sealed. That should slow a responsible press down. Instead it became a feature. Anonymous enough to avoid a libel calculus. Specific enough to ruin a life in Plymouth County. Family members who are estranged get quoted. Jurors who lost the room get the microphones. The one person who forced the system to admit it could not agree is the one person treated as a glitch.
I am not asking you to canonize him. I have not sat in that jury room. I did not hear the psychiatrists. I did not watch the band go into evidence. Reasonable people can argue about postpartum psychosis, criminal responsibility, and what “beyond a reasonable doubt” demanded on those facts. That argument belongs in open court and in honest disagreement among twelve citizens. What does not belong is the substitution of a man’s worst Tuesday in 2021 — a charge the Commonwealth itself dismissed — for the deliberation he was sworn to give in 2026.
And do not miss the racial temperature in the coverage, even when the copy pretends it is colorblind. Other jurors and the defense spent days framing one Black man as the problem with American justice in a room full of white faces ready to acquit. Then a television investigative unit shows up at the door the landlord wants cleared. I have lived the version of that story where the Black man is the one in the frame and the cameras arrive before the documents. The feeling is the same. You become a type. Types are easier to hate than people.
Connecticut taught me something else that applies here. Institutions that move fast on an accusation and slow on an inconvenient record are not broken. They are working as designed for the people who benefit from the first draft. Cable bookers, local “investigators,” defense counsel spinning after a loss — they all feed the same appetite. Give the public a simple reason the hard case went sideways. Prefer a monster in the jury box to an unresolved moral question about a mother and three dead children.
If the holdout lied on his questionnaire, prosecute that. That is a clean charge with a clean remedy. If the restraining order should have been disclosed and was not, say so with the paperwork in hand. If unpaid rent proves he is a bad tenant, his landlord already has a court for that. None of those things decide whether Lindsay Clancy was criminally responsible. Pretending they do is how you train an audience to confuse character assassination with accountability.
I fight every day in this state with people who hold office and with the reporters who sand the edges off their failures. The lesson from that sealed jury room to every driveway where a man’s name gets rewritten overnight is not that every accused man is innocent and every holdout is a hero. The lesson is that the press has a tell. When the preferred ending dies in a jury room, they go hunting in the basement for a past they can hang around the neck of whoever refused to sign. They will do it to a juror whose name they cannot print. They will do it to a radio host whose name they already know how to spell. They will do it to you if you ever become inconvenient enough.
The folks listening know the difference between a court file and a verdict. A dismissed charge is not a conviction. An allegation is not a deliberation. A mistrial is not a license. Keep the record straight. Demand the sentence they bury. Read the book if you want my chapter. And when they tell you the only story that matters is the one that ruins the man who would not go along, remember who taught them that trick — and who pays for it when the cameras leave.
Stay in the fight.







